Text/Reporter Chen Liang Wang Yuying
Photo/Yangcheng Evening News
A folk belief that is “unknown” has no classics and no classics. It originated in eastern Guangdong and has lasted for thousands of years and has remained popular. In Taiwan alone, there are more than 6 million believers. Its ancestral home has just been awarded the “Cross-Strait Exchange Base”, which is called “King of the Three Mountains”.
What is the “three”? Why are there three “mountains”? Where did the “king” come from? What is the charm of this folk belief called “King of the Three Mountains”? On November 4, the “Two-Strait·Three Mountains·Four Seas” Sanshan King Academic Seminar, hosted by Yangcheng Evening News Group and co-organized by Zhongshan Cinema 1950 witch cloth drawUniversity Humanities and Social Sciences Department and Guangdong Cross-Strait Exchange Promotion Association, was held on the South Campus of Sun Yat-sen University Guangzhou Campus. Zhang Ke, Secretary of the Party Group and Director of the Guangdong Provincial Ethnic and Religious Affairs Commission, and Xiao Bing, Deputy Director of the Taiwan Affairs Office of the Guangdong Provincial Party Committee, attended the seminar.
Explore the core of folk beliefs and promote communication and exchanges among Chinese and overseas Chinese
Since the “First Sanshan Ancestral Temple Academic Seminar” in Jiexi, Jieyang City in October 1992, more than 10 “Sanshan Kings” cultural scholars from Guangdong, Fujian, Taiwan, and Malaysia, China gathered again to discuss the development and current situation of the “Sanshan Kings” folk belief culture, as well as the history and path of its dissemination at home and abroad.
Four experts issued a keynote report, through the tracing of historical materials and the current situation, they explored the spiritual core of the folk belief of the “Three Mountains Kings” and demonstrated the important role played by the “Three Mountains Kings” culture in uniting the hearts of the people on both sides of the Taiwan Strait and Cinema 1950 witch cloth draw to promote communication and exchanges between Chinese and overseas Chinese at home and abroad.
Chen Chunsheng: The concept of “protecting the country and assassinating the people” is a common connection and vision for believers on both sides of the Taiwan Strait and overseas.
Professor of the Department of History of Sun Yat-sen University, a researcher at the Center for Historical Anthropology Research at Sun Yat-sen University, and also chairman of the teaching steering committee of history majors in the Ministry of Education, delivered a keynote report entitled “National ConsciousnessKomiks 1960 witch cloth draw and the broadcast of the faith of the King of Sanshan since the Song Dynasty.” Chen Cinema 1950 witch cloth drawChunsheng has been associated with the Sanshan King culture for decades, and has traveled all over Guangdong and Taiwan. He has thought deeply about the origin, development and cultural value of the Sanshan King’s folk beliefs. His academic thoughts and research methods have had a profound influence on the academic community. Chen Chunsheng quoted the explanation of Professor Wolfgang Franke of Hamburg University in Germany, who had taught for a long time in China and Malaysia, pointing out that the so-called “Three Mountain Kings” may be a remains of the ancient Yue Mountain God’s belief in mountain gods and is related to ethnic minority customs, which are not unique to Chaozhou area.
“The central dynasty’s recognition of folk beliefs such as the Sanshan King was a very effective and widely adopted method that the central dynasty in ancient China ruled the southern region.” In his speech, Chen Chunsheng focused on the interaction process between “national consciousness” and civil society. He believes that the practice of Song Huizong awarding the “Mingsheng” temple to Chaozhou’s “Three Shenshan” temple is a very typical expression of national consciousness in the developed southern civil society. Many Sanshan King Palaces and Temples in mainland China and Taiwan have plaques with “Protecting the Country and Safeguarding the People” hanging high, revealing the mentality of hope that the gods will maintain a balance between the “country” and the “people” so that both of them can benefit. Folk belief is one of the links between the two sides of the Taiwan Strait. Many folk belief traditions in mainland China have developed in Taiwan, which has also given people on both sides of the Taiwan Strait more connection and communication fate.
Chen Chunsheng said that although the customs and habits in different parts of China are very different, China has long been a unified country. To determine whether a place understands and accepts the central ideology lies in the extent to which the local scholars and gentry class can consciously interpret local cultural traditions and customs in accordance with the “rituals and laws” of the court.
He emphasized that in traditional Chinese society, “national consciousness” is everywhere and everywhere. In historical and cultural research, only by having a systematic grasp and deep understanding of national ideology and dynasty rules and regulations can we have a more intimate understanding of the changes in local and folk customs and beliefs and their significance.
Qiu Yangui: The Sanshan King Palace Temple has become an important historical evidence for the study of Taiwan’s immigration history
The Sanshan King Palace Temple has become an important historical evidence for the study of Taiwan’s immigration history and a symbol of the ancestral homes of relatives in Chaoshan and Hakka towns in Taiwan. Qiu Yangui, professor of the Department of Ancient Arts and Repair at the Taiwan University of Arts, gave a report titled “Komiks 1960 witch cloth drawTaiwan’s Faith of Kings of Sanshan, he mentioned that Taiwanese believers have more communication with mainland people through the opportunity to find their roots in the Sanshan Ancestral Temple in mainland China.
Qiu Yangui introduced that the phenomenon of the Three Mountains King’s belief in Taiwan is still regarded as a method of identifying Hakka groups in the 21st century, but in his opinion, this overly simple method should be discussed again. He observed the belief of the Three Mountains in Taiwan from the perspectives of social organization and ethnic relations, and summarized it into four types: “guild hall type”, “guest base type”, “anti-economic type”, and “chaohui Fulao type”. Among them, the number of “customer-bottom” and “anti-ban style” temples has reached about 80, with the largest size. After Taiwan’s industrialization in the 1970s, more “immigrant-type” temples appeared in the city.
Chen Zhiping: “Great Love” is the core meaning of folk beliefs
Professor Chen Zhiping, Dean of the Institute of Chinese Studies and President of the Chinese Ming History Society, gave a speech entitled “The Cultural Significance of the Faith of Mazu and the Sanshan Kings and Its Inheritance”. He believes that the belief in Mazu and the Sanshan King are both part of the excellent traditional Chinese culture. The core meaning of Babaylan 1990 clothes draw is “urgent for the people”, full of “great love” spirit, and has the function of social education and culture. Folk culture, including the beliefs of Mazu and the Sanshan King, became one of the important channels for the spread of Chinese culture overseas after the 18th century.
Wang Chenfa: Research on the Three MountainsKomiks 1960 witch cloth drawWang is one of the responsibilities of reviving China. Komiks 1960 witch cloth drawDirectional College of Malaysia and Hanjiang Chuan, Malaysia. Cinema 1950 witch cloth drawDiscovery Professor Wang Chen from the University of Media. He asked a question. Draw‘s speech on “The Social Organization and Educational Function of the Sanshan King Temple in Nanyang” explains what kind of transformations the Sanshan King culture has taken place overseas, and how to achieve harmony between change and unchange. He said that the study of the Sanshan King Temple, from the standpoint of national rejuvenation, examines how the Sanshan King Organization in various places constitutes the development and construction of the society of ancestors, etc., is one of the responsibilities of future generations to strive to revive China. Wang Chenfa suggested that the Sanshan King Palace and Temple can do the same thing at home and abroad – acting as a cultural carrier and spreading cultural confidence, and taking root from academic research, and then combining the advantages and characteristics of the Sanshan King culture to achieve good branding, attracting more people to understand the Chinese nation more comprehensively through the Sanshan King. Many new technologies can be used, such as AI, social charity work, participation in local environmental protection activities, etc., and use limited temple space to exert global influence.
Komiks 1960 witch cloth drawCreative transformation and innovative development, scholars have insightful insights
How to inherit the traditional culture for thousands of years and take root among the people to achieve creative transformation and innovative development? During the roundtable discussion session of the seminar, the scholars put forward their own opinions.
Xiao Wenping, director and professor of the Hakka Research Institute of Jiaying College of Meizhou, pointed out that as a mountain god and a natural god, the King of Sanshan reflects the Chinese nation’s tradition of respecting nature. His spirit of patriotism, love for the country, protecting villages, and guarding the land has established the concept of hometown for the people, and the spirit of fairness, justice and justice advocated also have important value in the contemporary times.
Xie Guiwen, a professor at Kaohsiung University of Science and Technology, believes that folk beliefs are important to the country, society, and people. href=”https://funnybookish.com/”>Cinema 1950 witch cloth drawAs long as assets are to have survival functions, integration functions, and cognitive functions. Chen Xianbo, a professor at South China Normal University, said that the history of the Three Mountain Kings is not only a history of folk beliefs, but also a history of regional development, social economic history, and a history of mutual learning between Chinese history and civilization. Wu Mengxian, associate professor at Jieyang Vocational and Technical College, said that his investigation found that ordinary people often regard the Three Mountains King as an important social bond in interpersonal communication.
Professor Lian Xinhao of Xiamen University suggested that the King of Sanshan can also learn from the successful cases of Mazu’s belief in the world, and the two sides of the Taiwan Strait work together.
Xiamen University Professor Babaylan 1990 clothes draw, Ph.D. supervisor Komiks 1960 witch cloth draw, Chinese studies Babaylan 1990 clothes draChen Zhiping, director of the Institute, pointed out that the Sanshan King must achieve innovative cultural development, and local governments should take the lead in promoting it cannot be ignored. Ou Junyong, associate professor at Hanshan Normal University, shared that as part of Jieyang culture, Sanshan Babaylan 1990 cloth drawKomiks 1960 witch cloth drawKomiks 1960 witch cloth drawWhen you walk to the fields, you can feel it real.
Wen Jianqin, associate professor at Hanshan Normal University, said that when he tells students about Chinese cultural history and Chaoshan history and culture, he will use the Sanshan King as a case to analyze its cultural phenomena. The students are very interested and have developed related cultural and creative products. Chen Lihua, a professor at Tsinghua University in Taiwan, mentioned that to let young people understand traditional culture, we must make good use of the “discourse” methods of young people such as movies, short videos, music Komiks 1960 witch cloth draw, comics, etc.
Lin Guoping, professor at Fujian Normal University, summarized that the three folk beliefs such as the King of Mountains are an important part of Chinese traditional culture and are precious cultural heritage left to us by our ancestors. They should be cherished more than Babaylan 1990 cloth draw.
The Flowers of the Sanshan King Cultural Documentary “From the Three Mountains to the Four Seas” were also held at the meeting. The documentary team went to Southeast Asian countries such as Malaysia, Cambodia, and Vietnam, as well as Sanshan King’s Palace and Temple in Guangdong, Guangxi, and Taiwan, China, to communicate with believers and related folk scholars, record the inheritance and changes of the Sanshan King’s sacrificial culture, and show the profound historical, humanistic and social values accumulated over the past thousand years of Sanshan King’s culture.
[Small Knowledge] “King of the Three Mountains” Folk Belief Culture
The “King of the Three Mountains” Folk Belief Culture originated in eastern Guangdong and is now widely spread to Taiwan and Southeast Asia. Its spirit of “protecting the country and safe people, peace and stability” has been respected by the people of all generations. Lintian Ancestral Temple located in Jieyang, Guangdong Province Cinema 1950 witch cloth draw is the ancestral temple of the Sanshan King Palace Temple in the world.He was awarded the “Cross-Strait Exchange Base” in 2023.
