Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“Fenglou peopleKomiks 1960 witch cloth drawThere are no good guests when they leave, and since then the rich people are lonely and cover the setting sun.” Chen Baoying, the female character in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she is crying and complaining, and the audience applauses thunderously. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, the origin of the Chinese New Year
In 2009, Guangdong music singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established Babaylan 1990 cloth draw.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera Cantonese opera Komiks 1960 witch cloth draw and improve their perceptual understanding of Cantonese opera and Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture.
As soon as the workshop started, it was very Cinema 1950 witch cloth draw quickly attracted a large group of young people from major universities with similar aspirations. Unlike Cantonese opera majors, these college students have almost never been exposed to Cantonese opera, have never seen a sequel to pronunciation and rhyme. From singing voice to music theory, from demonstration to teaching one by one, Cinema 1950 witch cloth draw, two old students Babaylan 1990 witch cloth draw The draw teacher led this group of students to learn from scratch. The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the Cantonese opera master Hong Line female teacher came to the teaching site in a thunderstorm to communicate with the students in the workshop. The Red Line female teacher not only listened to the students in the Komiks 1960 witch clothes draw practiced singing “The Fong Pavilion’s Love” and “Flower Cinema 1950 witch clothes” The famous passages such as Tian Chouhui gave improvements to their lyrics, singing styles, and emotions. They also sang “Red Candle Tears” on the spot and put forward high expectations. The 7th (Guangzhou) College Student Drama Festival opened a special session of Cantonese opera, and invited workshops and Cantonese opera fans from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only time the University of Cinema 1950 witch cloth draw Student Drama Festival has held so far. This group of students have returned the care of all walks of life with their superb performances and sang the dream of spreading and inheritance with Guangdong rhyme.
Cinema 1950 witch cloth draw continues his dream, and continues his relationship with teachers and students outside the school. Time flies. In a blink of an eye, students graduate and enter society and embark on the job of working in Babaylan 1990 tile draw. Different from Cantonese opera or art majorBabaylan 1990 tile draw.com/”>Babaylan 1990 cloth drawStudents from the school, after graduation, left the original learning platform and had almost no chance to learn Cantonese opera. In addition to their busy work, they slowly put Cantonese opera learning aside, and had not sang songs for several months or even a year.
“It is said that ‘Fist is always inseparable from the mouth’. If this continues, students will definitely forget what they learned before.” Every time Li Yueling finished chatting with students, she felt emotional. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level? “After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Guangdong opera.
She and Chen Zhongyan first found several private bureaus for the students to start the game from time to time to practice. Later, in order to ensure that the students could start the game once a month to achieve the purpose of practicing. She went to the Beijing Street Cultural Station to find webmaster Zhao Yuhua and talked to webmaster Zhao that she was deeply worried about the loss of skills of these students. Webmaster Zhao Yuhua was very moved when she heard that there were such a group of young people who loved Guangdong opera. She immediately arranged for Li Yueling and Beijing Street Guangfu Cinema 1950 witch cloth draw team leader Chen Jinglin met and negotiated with students to practice Cinema 1950 witch cloth drawKomiks 1960 witch cloth draw.
In order to facilitate everyone to practice music, the Cultural Association has changed the starting time from Monday to Friday and the rest system of the venue closed on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implements the venue for the monthly opening, she assigns the task of each person to learn a song, hoping to use pressure to drive students to take time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, listen carefully to each student’s singing, and help them analyze and improve word by word after listening.
In addition, Li Yueling also invited her master, “Zi Lao Wang”, Teacher Tan Peiyi, to participate in the students’ private affairs. Teacher Tan Peiyi not only learns with the studentsThe students shared the creation process of their first famous song “Cai Wenji Returns to Han”, and also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave great encouragement to the students.
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Cinema 1950 witch cloth drawThey transformed into Cantonese opera and Cantonese opera communication messengers
In addition to teaching the students singing, Li Yueling also pays great attention to digging and learning. href=”https://funnybookish.com/”>Babaylan 1990 cloth drawThe potential of lifeBabaylan 1990 cloth draw. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and palm-playing boards. She hopes that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into die-hard fans of Cantonese opera, but from the perspective of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
Li Yueling’s Guangdong rhymeBabaylan 1990 cloth draw, some of the students, now some have stepped onto the podium to become teachers, and they will combine themselves with themselves.The content of the class is timely used as the class material, allowing the children to accept Cantonese opera subtly. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize your dreams, they transform into the envoy of love.Babaylan 1990 clothes draw Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong Opera, in addition to you can entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan Komiks 1960 witch cloth draw, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives and let people feel the charm of traditional culture. Komiks 1960 witch cloth draw enriched the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.