Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with people in the Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, was being held here. The master of Zishu, Teacher Tan Peiyi, also visited the scene in person. Li Yueling and his disciples hope to promote the Cantonese opera culture in their own voices and carry forward the Lingnan culture.
For this performance, Li Yueling and her disciples were preparing for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese opera singer and the totem of Guangdong rhyme. This performance is the spiritual agreement between a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
Show scene
Seeking dreams, and the origin of CUHK
In 2009, Guangdong music singer Li Yueling retired from the Guangdong Music and Music Art Troupe Babaylan 1990 clothes draw. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese opera workshop for college students in school. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Cantonese opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of high-level students.Young people with similar school aspirations. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch. The workshop also attracted the attention of many famous Cantonese opera artists and enthusiasts and Cinema 1950 witch cloth draw support. 20Babaylan 1990 cloth drawOn April 17, 2020, the Cantonese opera master Red Line Girl Komiks 1960 witch cloth draw even braved the thunderstorm to come to the teaching site to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special session established so far in the Babaylan 1990 cloth draw Student Drama Festival. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Different from students from Cantonese opera or art majors, students in the Cinema 1950 witch cloth draw study class left the original learning platform and had almost no chance to learn Cantonese opera after graduation. With the busy work, they slowly put the Cantonese Opera study aside. They had not sang songs for several months or even a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thinks: “How to enable students to always maintain their love for Cantonese opera and Cantonese opera, and keep itDo you continue to learn and even go to the next level? “After thinking, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found several private games for students to go to the students to practice regularly. Later, in order to ensure that the students could start the game once a month, Li Yueling went to the game to practice. The purpose of the practice of Cinema 1950 witch cloth draw. She went to Beijing Street Cultural Station to find webmaster Zhao Yuhua and talked to webmaster Zhao that she was deeply worried about the loss of skills of the students. Webmaster Zhao Yuhua was very moved when she heard that there were such a group of young people who loved Cantonese opera. She immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the folk art group of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice.
In order to facilitate everyone to practice music, the cultural hall changed the starting time from Monday to Friday and the rest system of the venue closed on weekends. Cinema 1950 witch cloth draw href=”https://funnybookish.com/”>Komiks 1960 witch cloth drawMen’anKomiks 1960 witch cloth drawSchedule on Saturday afternoon to bring the accompaniment master back to work overtime to start the students.
After Li Yueling implements the venue for each month, he assigns the task of each person to learn a song, hoping to use pressure to drive the students to take time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, listen carefully to each student’s singing, and help them analyze and improve word by word after listening.
In addition, Li Yueling also invited her master, “Zi Lao Wang”, Teacher Tan Peiyi, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her famous song “Cai Wenji Returns to Han”, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
PerformanceCinema 1950 witch cloth drawLive
They became Cantonese opera and Cantonese opera communication messengers
In addition to teaching students to sing, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learnKomiks 1960 witch cloth Draw learns Cantonese opera accompaniment instruments and playing the palm board, hoping that after they learn, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. Under her earnest teaching, many students have made breakthroughs, walked onto different artistic stages and gained recognition.
Li Yueling often tells her classmates: “I taught you to sing Cantonese opera, turning you into die-hard fans of Cantonese opera, but from the perspective of inheritance and communication, I hope that one day you can take the initiative to carry out the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera. ”
Li Yueling’s Cantonese students, now some of them have come to the lecture. They will combine their own class content and use Cantonese opera as class material in a timely manner, so that their children can accept Cantonese opera in a subtle way. Some have joined the bank and added a Cantonese opera special show in the bank’s feedback activities to give back to customers, giving many customers who have never entered the theater to get in touch with Cantonese opera for the first time and become enthusiasts…
href=”https://funnybookish.com/”>Cinema 1950 witch cloth draw Under the teacher’s words and deeds, the students consciously took the spread of Cantonese opera as their obligation. They did not bombard the bomb.Lielie’s deeds have used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize their dreams, they become the messengers of love
Li Yueling often says: “We have received strong support from many groups and the help of enthusiastic people along the way. We must learn to be grateful. In addition to you can entertain yourself, I hope you can use what you have learned to bring joy to more people.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the Guangdong Foyi inheritance on the same stage. href=”https://funnybookish.com/”>Komiks 1960 witch cloth draw1″ charity exhibition performance. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily life, allowing people to feel the charm of traditional culture, enriching the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the batters who make the Guangdong rhyme reverberate in the new era.